Unveiling the Connection Between Breath & Emotions at IFFI 2025 with Vinay Kumar

Interpreting the Body’s Secret Language

Swati Bhat

‘Breath and Emotion: A Masterclass on Performances,’ conducted by Vinay Kumar K J of Adishakti, was a standout event at IFFI. As a protégé of Veenapani Chawla and the Artistic Director at Adishakti, Vinay infused his session with discipline, tradition, and insight.

Shri Prabhat, Additional Secretary of the Ministry of Information and Broadcasting, recognized Vinay's contributions prior to the session. Vinay engaged the audience directly, transforming the environment into a collaborative exploration.

He encouraged the audience to reconsider their understanding of emotion, highlighting its evolution over time and across cultures. Vinay stressed the importance of the body's role in expressing emotions, proposing that gestures are acquired behaviors.

Vinay asserted that breath, rather than the brain, governs human mechanics. He explained that breath affects muscularity and emotion, which manifests physiologically before psychologically. He connected this to ancient Indian wisdom, acknowledging the complexity of contemporary emotional challenges.

Vinay delved into the Navarasa, illustrating how each rasa elicits a distinct bodily response and breath pattern. He emphasized the subtle rhythms in communication, such as gestures and breath signals.

Through demonstrations and interaction, Vinay's masterclass provided profound insights into the interplay of breath, body, and emotion, offering valuable knowledge for performers and anyone interested in a deeper understanding of the human condition.

#VinayKumar #IFFI #IFFI2025 #event #entertainment

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema

21/11/2025: IFFI Premise: Filmmakers investigate how sustainability influences narratives, set designs, and creative decisions.

Pritish Bagdi

The panel discussion titled “Reel Green: Sustainability and Storytelling Across Four Cinemas” at the 56th International Film Festival of India convened filmmakers and producers from India, Japan, Spain, and Australia, offering a unique convergence of global insights on sustainable cinema. Moderated by Naman Ramachandran, an esteemed journalist and film critic, the session delved into how environmental responsibility can influence both production practices and narrative content, integrating craft, culture, and conscience.

Indian Film Producer and Director Nila Madhab Panda initiated the discussion with a frank assessment of cinema’s environmental impact. He highlighted the significant carbon footprint of film production and noted that smaller films often have the flexibility to adopt greener practices. “Cinema is a mass medium. We have only one planet. Half of our energy resources are already consumed,” he stated, advocating for the industry to embrace sustainable practices wherever feasible.

Contrasting Panda’s viewpoint, Mina Moteki, a film producer from Japan, underscored the difficulties of implementing green practices in low-budget productions. She observed that while large-scale projects allow for innovation, smaller projects often face challenges with energy consumption, set management, and logistics. “We are trying to save energy wherever possible,” she remarked, noting a gradual cultural shift in Japanese filmmaking.

Spanish Film Producer Anna Saura echoed these concerns, emphasizing that sustainability is a creative responsibility. She highlighted that conscious decisions, from distribution to on-set management, can mitigate environmental impact without compromising the quality of storytelling. “Every step we take matters,” she asserted, “and even small, thoughtful actions contribute to a greener future.”

Australian filmmaker Garth Davis added a narrative perspective, reflecting on how stories can enhance environmental awareness. “Films connect people back to nature,” he commented. “The younger generation desires change, and storytelling has the power to shape behavior and values.”

The discussion examined global practices and their potential adaptation in local contexts. Davis described how Australian productions focus on respecting people, culture, and the environment, ensuring filming locations are left as they were or improved. Moteki discussed Japan’s blend of traditional and modern practices, including public transport, local hiring, and resource management. Saura highlighted Spain’s Green Film Certification system, which assesses and certifies the sustainability of film productions, guiding teams in adopting eco-friendly practices in catering, equipment, and logistics.

Throughout the session, the panelists emphasized the pivotal role of the younger generation. From creating eco-conscious sets to advocating for sustainability in narratives, youth were recognized as key agents of change. The panelists underscored the importance of mentorship, education, and habitual practices on set to foster a culture of sustainability that transcends borders and generations.

Practical strategies were discussed, including minimizing waste, reusing costumes, and opting for real locations over constructed sets. The panelists also highlighted the necessity for governmental and institutional support. Panda suggested certification systems to recognize sustainable efforts, while Davis proposed policies linking production incentives to environmental accountability.

In a positive note for the global community, the panelists advocated for increased collaborative sessions with other countries, sharing best practices, and adopting effective strategies to lessen environmental impact. They expressed that international dialogues and knowledge exchange would assist filmmakers worldwide in embracing sustainability without sacrificing creativity or storytelling.

By the conclusion of the panel discussion, it was evident that sustainability transcends being merely a technical guideline; it is a mindset. Across India, Japan, Spain, and Australia, the conversation reinforced that environmental consciousness intersects with storytelling, craft, and cultural responsibility. The panel affirmed that cinema can be both impactful and responsible, inspiring audiences and creators alike, and encouraging the next generation of filmmakers to envision a greener, more conscientious world.

#IFFIWood #IFFI #IFFI2025 #Sustainability #Goa

Vash Level 2: Krishnadev Yagnik Revolutionizing Gujarati Cinema

27 August 2025: (Mumbai, Maharashtra) - Gujarati cinema is really pushing boundaries with the film Vash Level 2.

Swati Bhat

Directed by Krishnadev Yagnik and brought to you by Panorama Studios, this sequel goes beyond the usual horror flick. It's a thrilling ride that cleverly mixes supernatural stuff with deep human feelings.

The movie continues from the eerie world of Vash, elevating it to a darker, more intelligent, and complex level. Rather than relying on jump scares, it immerses you in an atmosphere where every scream is impactful and every silence is menacing.

The performances constitute the essence of the narrative. Hitu Kanodia delivers one of his most believable roles lately, playing a father caught between worry and valour. National Award-winning actress for Vash Janki Bodiwala, with her captivating presence, shows once again why she’s leading the new Gujarati wave. One of the biggest highlights of Vash Level 2 is Hiten Kumar’s performance in a challenging double role. The sharp differences in body language, voice modulation, and screen presence make it clear when he switches between the two roles yet, he never lets it feel theatrical or forced. Monal Gajjar's character requires a blend of vulnerability and quiet strength, which she delivers with natural ease. Chetan Daiya impresses with his controlled and powerful performance as a real cop. Renowned for his commanding screen presence, Chetan once again demonstrates why he is a reliable actor.

The technical aspects of the film are commendable. Haresh Bhanushali and Prashant Gohel's cinematography captures Gujarat's haunting beauty with precision, expertly balancing realism and a sense of dread. The framing and lighting intensify the tension seamlessly. Shivam Bhatt’s editing is precise, maintaining an unwavering thrill.

The sound design is equally powerful, showcasing that Gujarati films now excel in technical skills.

Even though every movie has its quirks and some scenes might drag a bit, with horror buffs guessing a few scares, the characters' emotional depth and the thrilling climax really make up for it, offering a satisfying movie experience.

Backed by the vigorous support of Panorama Studios, Vash Level 2 boasts a polish and scale that sets new standards for Gujarati thrillers. It's vivid, innovative, and a proud milestone for Indian regional cinema as it competes on an international level.

In essence, Vash Level 2 is more than a sequel; it's a declaration. A declaration that Gujarati cinema is prepared to embrace contemporary genres, offer quality storytelling, and reach broader audiences while staying true to its cultural roots.

#entertainment #gujaratifilm #vashlevel2 #newrelease #panoramastudios