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The Communiqué News

21/11/2025: IFFI Premise: Filmmakers investigate how sustainability influences narratives, set designs, and creative decisions.

Pritish Bagdi

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema

The panel discussion titled “Reel Green: Sustainability and Storytelling Across Four Cinemas” at the 56th International Film Festival of India convened filmmakers and producers from India, Japan, Spain, and Australia, offering a unique convergence of global insights on sustainable cinema. Moderated by Naman Ramachandran, an esteemed journalist and film critic, the session delved into how environmental responsibility can influence both production practices and narrative content, integrating craft, culture, and conscience.

Indian Film Producer and Director Nila Madhab Panda initiated the discussion with a frank assessment of cinema’s environmental impact. He highlighted the significant carbon footprint of film production and noted that smaller films often have the flexibility to adopt greener practices. “Cinema is a mass medium. We have only one planet. Half of our energy resources are already consumed,” he stated, advocating for the industry to embrace sustainable practices wherever feasible.

Contrasting Panda’s viewpoint, Mina Moteki, a film producer from Japan, underscored the difficulties of implementing green practices in low-budget productions. She observed that while large-scale projects allow for innovation, smaller projects often face challenges with energy consumption, set management, and logistics. “We are trying to save energy wherever possible,” she remarked, noting a gradual cultural shift in Japanese filmmaking.

Spanish Film Producer Anna Saura echoed these concerns, emphasizing that sustainability is a creative responsibility. She highlighted that conscious decisions, from distribution to on-set management, can mitigate environmental impact without compromising the quality of storytelling. “Every step we take matters,” she asserted, “and even small, thoughtful actions contribute to a greener future.”

Australian filmmaker Garth Davis added a narrative perspective, reflecting on how stories can enhance environmental awareness. “Films connect people back to nature,” he commented. “The younger generation desires change, and storytelling has the power to shape behavior and values.”

The discussion examined global practices and their potential adaptation in local contexts. Davis described how Australian productions focus on respecting people, culture, and the environment, ensuring filming locations are left as they were or improved. Moteki discussed Japan’s blend of traditional and modern practices, including public transport, local hiring, and resource management. Saura highlighted Spain’s Green Film Certification system, which assesses and certifies the sustainability of film productions, guiding teams in adopting eco-friendly practices in catering, equipment, and logistics.

Throughout the session, the panelists emphasized the pivotal role of the younger generation. From creating eco-conscious sets to advocating for sustainability in narratives, youth were recognized as key agents of change. The panelists underscored the importance of mentorship, education, and habitual practices on set to foster a culture of sustainability that transcends borders and generations.

Practical strategies were discussed, including minimizing waste, reusing costumes, and opting for real locations over constructed sets. The panelists also highlighted the necessity for governmental and institutional support. Panda suggested certification systems to recognize sustainable efforts, while Davis proposed policies linking production incentives to environmental accountability.

In a positive note for the global community, the panelists advocated for increased collaborative sessions with other countries, sharing best practices, and adopting effective strategies to lessen environmental impact. They expressed that international dialogues and knowledge exchange would assist filmmakers worldwide in embracing sustainability without sacrificing creativity or storytelling.

By the conclusion of the panel discussion, it was evident that sustainability transcends being merely a technical guideline; it is a mindset. Across India, Japan, Spain, and Australia, the conversation reinforced that environmental consciousness intersects with storytelling, craft, and cultural responsibility. The panel affirmed that cinema can be both impactful and responsible, inspiring audiences and creators alike, and encouraging the next generation of filmmakers to envision a greener, more conscientious world.

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema




Swati Bhat

Exclusive: Melbourne Lord Mayor Unveils "My Melbourne 2" at IFFI 2025, Goa.
Nick Reece, Lord Mayor of Melbourne

IFFI Premises, Goa: In a dynamic celebration of Indo-Australian cinema and cultural exchange, Melbourne’s Lord Mayor Nick Reece made a major exclusive announcement during an interaction with our Chief Editor Ms. Swati Bhat. Reece revealed that his dream project, "My Melbourne 2", is officially underway. "My Melbourne 2" is a sequel to the Indo-Australian anthology film "My Melbourne," with prominent Indian filmmakers Rajkumar Hirani, Shoojit Sircar, Anjali Menon, and Onir set to produce it.

Speaking to The Communiqué News, Reece expressed his enthusiasm at being part of the IFFI 2025. “It’s so exciting. Of course, everybody knows Delhi is the capital of India, but Melbourne is the Indian capital of Australia,” he said, praising Melbourne’s strong connection with its vibrant Indian diaspora.

Indian Cinema’s Unprecedented Rise in Australia-

Reece highlighted the rapidly growing popularity of Indian films in Australia. He revealed that Indian cinema now ranks as the third-highest box office performer in the country, behind only the USA and England.

“This makes Australia the first English-speaking nation where Indian film has reached at such a high position,” he explained. “It’s wonderful to see so many people enjoying Indian movies. We absolutely love it.”

A major contributor to this success is the Indian Film Festival of Melbourne (IFFM) the world’s largest Indian film festival held outside India.

"My Melbourne: A Cross-Cultural Success Story"

The Lord Mayor’s visit marked the launch of the Indian premiere of My Melbourne, an award-winning film created by leading Indian filmmakers in Australia.The film has received critical acclaim and won multiple awards across international circuits.

“We’re here launching the Indian premiere of My Melbourne,” Reece said. “It has been very successful in Australia and has won many awards.” Exclusive: My Melbourne 2 Revealed to The Communiqué News.

During an exclusive conversation with Chief Editor Ms. Swati Bhat, This exclusive announcement was made only to The Communiqué News, underscoring Melbourne’s commitment to strengthening its cultural partnerships with India. “The first one has been such a great success, and we’re excited to take the story forward.” The sequel promises to deepen Indian-Australian storytelling and celebrate the multicultural spirit of Melbourne. A Warm Bollywood Welcome

Describing his experience at the festival, Nick Reece said, “The colour, the energy of Bollywood is like nothing else. I just sit here marvelling at it.”

With heartfelt appreciation for India, he concluded his address with: “Jai Hind, Jai Australia.” with a positive laugh.


WAVES Bazaar serves as a specialized platform for businesses to present their products and services, seek collaborative opportunities, and form new partnerships.

Swati Bhat

WAVES Bazaar Elevates Indian Women Filmmakers at TIFF

Under the Ministry of Information and Broadcasting's flagship international markets platform, WAVES Bazaar, six Indian filmmakers leading women-centric projects represented the country at the Toronto International Film Festival (TIFF) 2025, held last month. This initiative, led by Women in Film (WIF) India and supported by the National Film Development Corporation (NFDC), marked a significant milestone in showcasing the creativity and vision of Indian women filmmakers on a global stage. The filmmakers—Arshaly Jose, Deepa Bhatia, Katyayani Kumar, Madhumita Sundararaman, Paromita Dhar, and Pramati Anand—were selected from over 200 entries following a week-long nationwide call.

Ministry officials described this development as a defining moment for India’s film industry and creative community. "For the first time, six Indian filmmakers leading women-centric projects represented the country at one of the world’s most influential film forums. The delegation highlighted regional, rooted, and real stories from Kerala and Manipur to Maharashtra and Delhi, demonstrating that India’s creative diversity knows no boundaries," stated ministry officials. The World Audio Visual & Entertainment Summit (WAVES) is an event focused on establishing India as a key hub for the media and entertainment industry. The inaugural event took place in Mumbai in May. WAVES Bazaar is a dedicated platform for companies to showcase their products and services, explore collaborations, and establish new partnerships.

Supported by WAVES Bazaar’s expansive ecosystem, these filmmakers gained access to mentorship, international markets, and industry exposure once reserved for seasoned global creators. Over the past year, WAVES Bazaar has evolved into a crucial bridge between Indian content creators and international studios, facilitating co-productions, global distribution deals, and strategic collaborations across continents, officials noted. WIF India Founder and Academy Award-winning producer Guneet Monga Kapoor described the collaboration as "a dream realized." "Exposure is at the heart of all growth. Through WIF India and WAVES Bazaar, we are building pathways for women to take their stories to the world," she stated. "We are taking our initial steps, building this institution piece by piece, and now moving it forward." For the participants, the TIFF experience was transformative.

Kerala-based filmmaker Arshaly Jose shared, "Pitching to international producers and distributors showed me that my stories could transcend borders. For the first time, I felt I truly belonged." Similarly, Deepa Bhatia reflected, "It was the thoughtful details from mentorship to wellbeing that made this experience special. WIF and WAVES are clearly shaking up the industry." With cumulative deals exceeding Rs 800 crores across film, animation, and music, and structured programs like Co-Production Labs and Screenwriters’ Forums, WAVES Bazaar is redefining how India engages with the world creatively.




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