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The Communiqué News

Know Why ‘Khoya Paya’ Is one of the Most Emotionally Powerful Film of IFFI 2025


Swati Bhat

Inside ‘Khoya Paya’: The IFFI 2025 Film That Dares to Expose India’s Silent Crisis of Abandoned Parents

Photo Courtesy: Pritish Bagdi

‘Khoya Paya’, the searing debut by director Ashutosh Singh, left audiences visibly moved during its special screening at the 56th International Film Festival of India (IFFI). Rooted in the emotional turbulence of a mother abandoned at the sprawling Kumbh Mela, the film blends raw realism with soul-stirring performances, emerging as one of the festival’s most talked-about titles.

Leading the narrative is National Award–winning actor Ms. Seema Biswas, who plays the deserted mother with an intensity that lingers long after the credits roll. Reflecting on the film’s powerful message about the mistreatment of elderly parents, Biswas said, “Respect for the elderly is non-negotiable. Without respect, familial bonds lose meaning.” She added that the role shook her deeply, and if placed in her character’s situation, she too would have refused to return to a family that abandoned her. When asked not as her character Vidya, but as herself, how she would feel after playing this character, her response was the exact opposite of the character she portrayed: "I would let my people leave me and I would never return to them."

Actor Chandan Roy Sanyal, who plays the guilt-ridden son, mentioned that he tackled the role sincerely, highlighting that even those with flaws think they have justifications for their actions. Actress Anjali Patil, attracted by the script's purity and the opportunity to collaborate with experienced actress Ms. Seema Biswas, commended the film for its emotional authenticity.

Producer Mr. Hemanshu Rai remembered being immediately drawn to the script, which he characterized as a compelling exploration of the mother-son relationship with a hauntingly dark undertone.

But what truly sets "Khoya Paya" apart is its breath-taking visual authenticity. Shot amid crores of pilgrims during the Mahakumbh 2025. The crew blended seamlessly into the crowd by dressing like one of them. Mr. Singh called the experience both chaotic and electrifying, remarking

"The film's colour was found at Mahakumbh. We rapidly recreated our two songs to align with the mood and atmosphere of the Kumbh Mela, making numerous spontaneous decisions to capture the ambiance as a main character of the film."

With its emotional depth and cultural resonance, ‘Khoya Paya’ emerges as one of IFFI 2025’s most compelling cinematic experiences.

Inside ‘Khoya Paya’: The IFFI 2025 Film That Dares to Expose India’s Silent Crisis of Abandoned Parents






‘Manjummel Boys’: A True Story of Friendship and Bravery Takes Centre Stage at 55th IFFI


Swati Bhat

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The Malayalam rescue drama 'Manjummel Boys' captivated audiences as it was featured in the Indian Panorama section of the 55th International Film Festival of India (IFFI). During Day 6 of the event, the film’s director, Shri Chidambaram, addressed the media at a press conference held at the PIB Media Centre in Goa.

The film is inspired by a real-life incident involving a group of 11 young men from Manjummel, a village near Kochi, Kerala. The team visited the Guna Caves in Kodaikanal, Tamil Nadu, where they encountered a life-threatening situation. One member fell into a deep pit within the cave, and despite efforts from local authorities, it was Siju David, a fellow team member, who bravely rescued his friend, undertaking a daring mission to save him. The incident, marked by friendship and selflessness, highlights the courage of these young men.

Chidambaram shared that the story was well-known, but previous attempts to make a film about it were unsuccessful due to the industry's reluctance. However, with the rise of OTT platforms, such stories now have more opportunities to be told. He also spoke about the challenges of recreating the Guna Cave in a Kochi warehouse, wishing he could convey its scent on screen, emphasizing the cave as the true protagonist of the film.





These were the maxims shared by National award winning cinematographer, writer, actor and director Anil Mehta as “axioms that define the life of a cinematographer”


Swati Bhat

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Chairing a masterclass titled ‘Guiding Lights’ in the side-lines of the 53rd International Film Festival of India (IFFI), Anil Mehta explained images are what appeal cinematographers. In practice, cinematography is guided by vagaries, chance, interpretation and individual choices, he said.

Mehta’s well-known projects include Lagaan (2001), Saathiya (2002), Kal Ho Naa Ho (2003), Veer-Zaara (2004), Kabhi Alvida Naa Kehna (2006) and Ae Dil Hai Mushkil (2016).

The languages of a cinematographer are different, he said. Getting caught at the quantity is not really cinematography, feels the veteran cinematographer.

What is his most valuable advice to future DoPs? “You should start your conversations with the director in an open manner and it is mostly about listening. Cinematography is also about listening, though it feels like a job where you talk to a lot of people, marshall your resources and get things done”, answered Mehta.

On virtual production in India, Anil Mehta commented, “We have not yet done enough work on it to know where it will go.”

Mehta explained the DoP point-of-view of some of his famous projects like Khamoshi, Badlapur and Sui-Dhaga. Some thought-nuggets that he shared with budding cinematographers/DoPs:

  • A DoP should try to think about how to place the camera from the day he or she starts reading the script

  • Anil Mehta personally doesn’t like to make a storyboard

  • If you have a sense of scene and know what to play, then your work is half done

  • Rhythm of the shot is something that the cinematographer can only feel

  • Very often shots emerge while filming


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