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The Communiqué News

21/11/2025: IFFI Premise: Filmmakers investigate how sustainability influences narratives, set designs, and creative decisions.

Pritish Bagdi

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema

The panel discussion titled “Reel Green: Sustainability and Storytelling Across Four Cinemas” at the 56th International Film Festival of India convened filmmakers and producers from India, Japan, Spain, and Australia, offering a unique convergence of global insights on sustainable cinema. Moderated by Naman Ramachandran, an esteemed journalist and film critic, the session delved into how environmental responsibility can influence both production practices and narrative content, integrating craft, culture, and conscience.

Indian Film Producer and Director Nila Madhab Panda initiated the discussion with a frank assessment of cinema’s environmental impact. He highlighted the significant carbon footprint of film production and noted that smaller films often have the flexibility to adopt greener practices. “Cinema is a mass medium. We have only one planet. Half of our energy resources are already consumed,” he stated, advocating for the industry to embrace sustainable practices wherever feasible.

Contrasting Panda’s viewpoint, Mina Moteki, a film producer from Japan, underscored the difficulties of implementing green practices in low-budget productions. She observed that while large-scale projects allow for innovation, smaller projects often face challenges with energy consumption, set management, and logistics. “We are trying to save energy wherever possible,” she remarked, noting a gradual cultural shift in Japanese filmmaking.

Spanish Film Producer Anna Saura echoed these concerns, emphasizing that sustainability is a creative responsibility. She highlighted that conscious decisions, from distribution to on-set management, can mitigate environmental impact without compromising the quality of storytelling. “Every step we take matters,” she asserted, “and even small, thoughtful actions contribute to a greener future.”

Australian filmmaker Garth Davis added a narrative perspective, reflecting on how stories can enhance environmental awareness. “Films connect people back to nature,” he commented. “The younger generation desires change, and storytelling has the power to shape behavior and values.”

The discussion examined global practices and their potential adaptation in local contexts. Davis described how Australian productions focus on respecting people, culture, and the environment, ensuring filming locations are left as they were or improved. Moteki discussed Japan’s blend of traditional and modern practices, including public transport, local hiring, and resource management. Saura highlighted Spain’s Green Film Certification system, which assesses and certifies the sustainability of film productions, guiding teams in adopting eco-friendly practices in catering, equipment, and logistics.

Throughout the session, the panelists emphasized the pivotal role of the younger generation. From creating eco-conscious sets to advocating for sustainability in narratives, youth were recognized as key agents of change. The panelists underscored the importance of mentorship, education, and habitual practices on set to foster a culture of sustainability that transcends borders and generations.

Practical strategies were discussed, including minimizing waste, reusing costumes, and opting for real locations over constructed sets. The panelists also highlighted the necessity for governmental and institutional support. Panda suggested certification systems to recognize sustainable efforts, while Davis proposed policies linking production incentives to environmental accountability.

In a positive note for the global community, the panelists advocated for increased collaborative sessions with other countries, sharing best practices, and adopting effective strategies to lessen environmental impact. They expressed that international dialogues and knowledge exchange would assist filmmakers worldwide in embracing sustainability without sacrificing creativity or storytelling.

By the conclusion of the panel discussion, it was evident that sustainability transcends being merely a technical guideline; it is a mindset. Across India, Japan, Spain, and Australia, the conversation reinforced that environmental consciousness intersects with storytelling, craft, and cultural responsibility. The panel affirmed that cinema can be both impactful and responsible, inspiring audiences and creators alike, and encouraging the next generation of filmmakers to envision a greener, more conscientious world.

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema




Swati Bhat

Exclusive: Melbourne Lord Mayor Unveils "My Melbourne 2" at IFFI 2025, Goa.
Nick Reece, Lord Mayor of Melbourne

IFFI Premises, Goa: In a dynamic celebration of Indo-Australian cinema and cultural exchange, Melbourne’s Lord Mayor Nick Reece made a major exclusive announcement during an interaction with our Chief Editor Ms. Swati Bhat. Reece revealed that his dream project, "My Melbourne 2", is officially underway. "My Melbourne 2" is a sequel to the Indo-Australian anthology film "My Melbourne," with prominent Indian filmmakers Rajkumar Hirani, Shoojit Sircar, Anjali Menon, and Onir set to produce it.

Speaking to The Communiqué News, Reece expressed his enthusiasm at being part of the IFFI 2025. “It’s so exciting. Of course, everybody knows Delhi is the capital of India, but Melbourne is the Indian capital of Australia,” he said, praising Melbourne’s strong connection with its vibrant Indian diaspora.

Indian Cinema’s Unprecedented Rise in Australia-

Reece highlighted the rapidly growing popularity of Indian films in Australia. He revealed that Indian cinema now ranks as the third-highest box office performer in the country, behind only the USA and England.

“This makes Australia the first English-speaking nation where Indian film has reached at such a high position,” he explained. “It’s wonderful to see so many people enjoying Indian movies. We absolutely love it.”

A major contributor to this success is the Indian Film Festival of Melbourne (IFFM) the world’s largest Indian film festival held outside India.

"My Melbourne: A Cross-Cultural Success Story"

The Lord Mayor’s visit marked the launch of the Indian premiere of My Melbourne, an award-winning film created by leading Indian filmmakers in Australia.The film has received critical acclaim and won multiple awards across international circuits.

“We’re here launching the Indian premiere of My Melbourne,” Reece said. “It has been very successful in Australia and has won many awards.” Exclusive: My Melbourne 2 Revealed to The Communiqué News.

During an exclusive conversation with Chief Editor Ms. Swati Bhat, This exclusive announcement was made only to The Communiqué News, underscoring Melbourne’s commitment to strengthening its cultural partnerships with India. “The first one has been such a great success, and we’re excited to take the story forward.” The sequel promises to deepen Indian-Australian storytelling and celebrate the multicultural spirit of Melbourne. A Warm Bollywood Welcome

Describing his experience at the festival, Nick Reece said, “The colour, the energy of Bollywood is like nothing else. I just sit here marvelling at it.”

With heartfelt appreciation for India, he concluded his address with: “Jai Hind, Jai Australia.” with a positive laugh.


MIFF Campus:

And since all this loveliness cannot be Heaven, I know in my heart it is June.” – Abba Woolson.


Swati Bhat

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Your words can take you to Goa on a cruise!

Ministry of Tourism, Western Region office Mumbai and Films Division, Ministry of Information & Broadcasting are finding ways to reward the film lover and the writer in you. If you are someone who celebrates films and believes good films and filmmakers should be encouraged, than this offer is for you. The winner of this contest will get ticket of Mumbai-Goa-Mumbai cruise journey by Cordelia.

How to Participate?

Simple. Express your love for films through a film review on any film screened during MIFF 2022 under National and International Competition. A total of 119 non-feature films viz. documentary, short and animation films are being screened during MIFF 2022 under National and International Competition category. Register now at https://miff.in/ to come and watch these films on big screens and also interact with the film makers.

You can also watch the movies online by registering for free under hybrid mode Registration Open Now. Films to be available on online mode till midnight of 7th June 12 (11:59:59 PM)

Terms & Conditions:

Which MIFF-2022 films made your heart skip a beat or more? Let the world know of your favorite MIFF films by writing and publishing it on your blog and sending us the link to your article/review

Please mail your entries to miffcontest@gmail.com before 10th June 2022

  1. Length of the article can be between 300-500 words

  2. The write-up should be original piece or writing without plagiarism.

  3. Please send entries in word and PDF form.

  4. We encourage you to also share the written content on social media and tag India Tourism Mumbai, PIB India and Films Division handles with hashtags #AnythingForFilms and #MIFF2022

  5. The offer to avail your reward i.e from Mumbai – Goa - Mumbai is valid till 27th November 2022 so that you can attend 53rd International Film Festival of India in Goa.

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Don’t forget to share this with your friends who always cancel on your Goa plans!

So enjoy films from 30 countries in the MIFF, write about your favorite and head to Goa today.

Started packing already, Goa Beckons!


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