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The Communiqué News

Director Raja Krishna Menon, known for films such as Airlift, Chef and Pippa, is venturing into Tamil cinema for the first time with an untitled psychological horror drama that has begun filming in London.

Swati Bhat

Raja Krishna Menon Enters Tamil Cinema With An All-Women Psychological Horror Drama Starring Trisha Krishnan, Radhika Sarathkumar and Aparna Balamurali

Produced by Panorama Studios in association with Locomotive Global, the upcoming film brings together three distinctive performers Trisha Krishnan, veteran actor Radhika Sarathkumar and National Award winner Aparna Balamurali. Principal photography is currently underway in London.

Raja Krishna Menon Enters Tamil Cinema With An All-Women Psychological Horror Drama Starring Trisha Krishnan, Radhika Sarathkumar and Aparna Balamurali

For Raja Krishna Menon, the project represents several firsts. It is not only his Tamil debut but also his first psychological horror film and his first feature built entirely around women.

“Someone once quite aptly called me ‘genre agnostic,’ and this film is another exploration in that journey,” Menon said, describing the project as a new creative challenge. He also highlighted the opportunity to work with Trisha, Radhika Sarathkumar, Aparna Balamurali and the wider cast and crew.

The filmmaker’s previous work has often explored high-stakes human drama, but this project takes him into a considerably darker cinematic space. Instead of relying solely on conventional jump scares, the film is positioned as an atmospheric psychological horror where character, emotion and tension are expected to drive the fear.

The project also marks Panorama Studios's first Tamil production as the company continues to expand its presence across South Indian cinema. It is being produced by Kumar Mangat Pathak, Abhishek Pathak, Sundar Aaron, Vikas Sharma and Amit Dalmia.

With Menon stepping into a new language and genre, and three accomplished actors at the centre of the narrative, the yet-to-be-titled film brings together an intriguing combination of psychological drama, horror and female-led storytelling.

For a director who has consistently moved between genres, his first Tamil film could prove to be another significant departure, this time into considerably darker territory.




27 August 2025: (Mumbai, Maharashtra) - Gujarati cinema is really pushing boundaries with the film Vash Level 2.


Swati Bhat

Vash Level 2: Krishnadev Yagnik Revolutionizing Gujarati Cinema

Directed by Krishnadev Yagnik and brought to you by Panorama Studios, this sequel goes beyond the usual horror flick. It's a thrilling ride that cleverly mixes supernatural stuff with deep human feelings.

The movie continues from the eerie world of Vash, elevating it to a darker, more intelligent, and complex level. Rather than relying on jump scares, it immerses you in an atmosphere where every scream is impactful and every silence is menacing.

The performances constitute the essence of the narrative. Hitu Kanodia delivers one of his most believable roles lately, playing a father caught between worry and valour. National Award-winning actress for Vash Janki Bodiwala, with her captivating presence, shows once again why she’s leading the new Gujarati wave. One of the biggest highlights of Vash Level 2 is Hiten Kumar’s performance in a challenging double role. The sharp differences in body language, voice modulation, and screen presence make it clear when he switches between the two roles yet, he never lets it feel theatrical or forced. Monal Gajjar's character requires a blend of vulnerability and quiet strength, which she delivers with natural ease. Chetan Daiya impresses with his controlled and powerful performance as a real cop. Renowned for his commanding screen presence, Chetan once again demonstrates why he is a reliable actor.

The technical aspects of the film are commendable. Haresh Bhanushali and Prashant Gohel's cinematography captures Gujarat's haunting beauty with precision, expertly balancing realism and a sense of dread. The framing and lighting intensify the tension seamlessly. Shivam Bhatt’s editing is precise, maintaining an unwavering thrill.

The sound design is equally powerful, showcasing that Gujarati films now excel in technical skills.

Even though every movie has its quirks and some scenes might drag a bit, with horror buffs guessing a few scares, the characters' emotional depth and the thrilling climax really make up for it, offering a satisfying movie experience.

Backed by the vigorous support of Panorama Studios, Vash Level 2 boasts a polish and scale that sets new standards for Gujarati thrillers. It's vivid, innovative, and a proud milestone for Indian regional cinema as it competes on an international level.

In essence, Vash Level 2 is more than a sequel; it's a declaration. A declaration that Gujarati cinema is prepared to embrace contemporary genres, offer quality storytelling, and reach broader audiences while staying true to its cultural roots.





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