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Kareena Kapoor Khan has praised Kriti Sanon for speaking out against the scrutiny women face over their appearance and personal choices, calling her stance “very, very brave” during a conversation on What Women Want.

Swati Bhat

Kareena Kapoor Khan praises Kriti Sanon for speaking out against patriarchy and gender inequality on What Women Want.

The exchange moved beyond the online criticism surrounding Kriti’s recent advertisement outfit to address a wider concern: the persistent expectation that women must justify how they dress, look and live.

Kriti Sanon appeared on Kareena’s show for a segment in which the two actors responded to different situations as a ‘Boss Lady’ or a ‘Baddie’. Discussing how she handles online trolling, Kriti explained that she generally prefers not to react or give negative comments unnecessary attention. However, she said the criticism surrounding her choli had prompted her to speak up because the debate had become about something much larger than her personal experience.

“My God, I couldn't believe for half the times that my choli become, like, a six-people panel discussion on prime-time news. And I was like, what is going on?” Kriti said, describing her disbelief at the attention given to her outfit.

She explained that her decision to respond was driven by the broader pattern of scrutiny directed at women rather than a desire to defend herself against individual comments. “It's a much larger issue, where I feel like women are constantly under scrutiny for everything. And it's only women who get targeted in the smallest things,” she said. Kareena agreed that clothing choices should remain personal, reinforcing Kriti’s argument that individual preferences do not warrant public hostility.

Kriti Sanon Questions the Scrutiny Women Face

Expanding on her point, Kriti described how women are frequently subjected to commentary about their bodies, appearance and personal lives, with criticism shifting according to whatever others choose to scrutinise.

Whether a woman is considered too short or too tall, has gained or lost weight, or is questioned about a possible pregnancy, Kriti argued that ordinary aspects of life can become subjects of unnecessary public judgment.

Kareena observed that the situation had escalated beyond the expression of personal opinions. Kriti agreed, questioning why disagreement so often turns into hate.

The actor also recalled that her sister had suggested turning off comments on social media because the negativity was becoming disturbing. Kriti, however, questioned why women should have to withdraw from public conversation to avoid abuse. “I feel it's important for women to stand up for themselves because I feel like everything is such a question. And who has given this right to these people to be commenting on us for what?” she said.

She summed up her argument with a simple observation about what women want: “What women actually want is to not be judged and for people to actually mind their own business.” Her remarks placed the emphasis on the distinction between expressing an opinion and subjecting someone to sustained hostility over personal choices.

Kareena Kapoor Khan praises Kriti Sanon for speaking out against patriarchy and gender inequality on What Women Want.

Kareena Kapoor Khan Calls Kriti’s Stand Brave

Kareena praised Kriti for addressing the issue on a programme centred on conversations about women and their experiences.

“Well, there you go, because I think that coming from her and on this show, What Women Want, it's a complete inspiration for Kriti to come here and say that, you know, this is exactly what,” Kareena said during the exchange. Kriti clarified that the issue was not limited to her own experience. She pointed to similar incidents involving other women, noting that actors can become particularly easy targets for public scrutiny. “We're also human and it affects us, and it's not fair. And it's not fair to any woman,” she said. Kareena then offered her clearest endorsement of Kriti’s response: “I think it's very, very brave of you to be a baddie. So you are a baddie.”

The remark brought the segment back to its central theme: the importance of refusing to remain silent when criticism crosses into personal attacks.

“Patriarchy Is So Embedded”: Kriti on Gender Inequality

Kriti went on to connect the conversation to the larger structures that shape expectations of women, arguing that standing up for oneself is part of challenging persistent gender inequality. “I feel very strongly about, like, standing up for yourself. Yeah. Standing up for yourself and just, like, the gender inequality that exists and patriarchy is so, like, embedded deep that we need to kind of try to shatter it multiple times for it to break,” she said. Kareena Kapoor Khan agreed with her assessment, bringing the discussion to a close.

The exchange highlighted how scrutiny surrounding women's clothing and appearance can become a wider conversation about autonomy, public expectations and the unequal standards applied to women. For Kriti, speaking out was not simply about responding to criticism of one outfit; it was about questioning why women are repeatedly expected to defend choices that should be their own.

By backing Kriti’s position, Kareena helped keep the focus on the broader issue raised during the conversation: women should be able to make personal choices without being subjected to disproportionate judgment or hostility.






The 27th edition of IIFA will take place on January 22–23 at Etihad Arena, Yas Island, featuring Bollywood performances, digital entertainment awards and its first global YouTube livestream.

IIFA 2027 Abu Dhabi announcement featuring Bollywood hosts and performers for the January awards ceremony at Yas Island.

Mumbai, October 22, 2026: The International Indian Film Academy (IIFA) has officially set the stage for its 27th edition, announcing a return to Yas Island, Abu Dhabi, on January 22 and 23, 2027. The announcement, made during a press conference in Mumbai, unveiled a major lineup of Bollywood celebrities, performances and international partnerships, including a first-ever global livestream collaboration with YouTube.

With Salman Khan, Shahid Kapoor, Kareena Kapoor Khan, Janhvi Kapoor, Rashmika Mandanna and Nora Fatehi announced as performers, IIFA 2027 is positioning itself as a major international celebration of Indian cinema and entertainment.

Karan Johar, Varun Dhawan, Maniesh Paul, Ananya Panday, Ali Fazal, Pankaj Tripathi and Abhishek Banerjee to Host IIFA Awards 2027

The 27th edition of the IIFA Awards promises an exciting blend of glamour, entertainment and engaging performances, with some of Indian cinema's most celebrated personalities taking centre stage. Karan Johar, Varun Dhawan, Maniesh Paul and Ananya Panday will host the main IIFA Awards ceremony, bringing together Johar's signature wit, Dhawan's infectious energy, Paul's effortless humour and Panday's youthful charm.

Adding another dimension to the celebrations, the IIFA Digital Awards 2027 will be hosted by acclaimed actors Pankaj Tripathi, Ali Fazal and Abhishek Banerjee. Known for their distinctive performances across cinema and streaming platforms, the trio is expected to bring a refreshing combination of humour, spontaneity and cinematic flair to the digital awards stage. The entertainment quotient will rise further with a spectacular lineup of performances featuring Salman Khan, Shahid Kapoor, Kareena Kapoor Khan, Janhvi Kapoor, Rashmika Mandanna and Nora Fatehi. From Bollywood's established superstars to contemporary audience favourites, the performances are set to celebrate the diversity, energy and global appeal of Indian cinema, making IIFA 2027 in Abu Dhabi, one of the most anticipated entertainment events of the year.

IIFA 2027 Strengthens Global Partnerships with Sobha Realty, ORN, ZEE and YouTube

The 27th edition of the IIFA Weekend & Awards continues to strengthen its international presence through strategic partnerships with leading global brands. Sobha Realty extends its association with IIFA into 2027, marking four years of collaboration as the Presenting Sponsor of IIFA Weekend and IIFA Digital Awards.

Joining the celebrations, ORN comes on board as the Co-Powered By Sponsor of IIFA Weekend & Awards 2027, bringing its expertise in logistics and technology to the global entertainment platform.

Meanwhile, ZEE continues its longstanding association as IIFA's Official Broadcasting Partner, taking the celebration of Indian cinema to television audiences across more than 120 countries.

In a significant digital milestone, YouTube joins IIFA 2027 as its Official Streaming Partner, introducing the event's first-ever global livestream and the exclusive IIFA Unfiltered experience.

Together, these partnerships underline IIFA's evolving global footprint, connecting Indian cinema, international brands and millions of entertainment enthusiasts across traditional and digital platforms.

IIFA Digital Awards 2027 to Celebrate Streaming Entertainment

Recognising the expanding influence of digital storytelling, IIFA will also host its Digital Awards, with Pankaj Tripathi, Ali Fazal and Abhishek Banerjee announced as presenters. The digital celebration will feature musical performances by Himesh Reshammiya and Sunidhi Chauhan, bringing two distinctive musical voices to the IIFA stage. The inclusion of a dedicated digital awards ceremony reflects the growing importance of OTT platforms, streaming productions and digital-first entertainment within the Indian screen industry.

IIFA 2027 Announces First-Ever Global YouTube Livestream

One of the most significant developments announced at the Mumbai press conference is IIFA's partnership with YouTube as its official streaming partner.

For the first time, the awards will introduce a global livestream through YouTube, expanding access to audiences beyond the physical venue and traditional television broadcasting. The initiative will also introduce IIFA Unfiltered, a digital offering intended to bring viewers closer to the event and its personalities.

Meanwhile, ZEE will continue as IIFA's broadcasting partner, extending the awards' television reach to audiences across more than 120 countries.

Sobha Realty, ORN Join IIFA 2027's Global Partnerships

IIFA and Sobha Realty have extended their presenting sponsorship association into 2027, marking four years of collaboration. The partnership will continue across IIFA Weekend and the IIFA Digital Awards.

ORN has also joined IIFA Weekend & Awards 2027 as a co-powered-by sponsor, bringing logistics and technology into the event's commercial partnership network.

These associations highlight the continuing appeal of international entertainment events as platforms connecting cinema, global brands and audiences.

Yas Island, Abu Dhabi, Prepares for Two Days of Indian Cinema

The Etihad Arena on Yas Island will once again provide the setting for IIFA's international celebration. Over more than two decades, IIFA has established a presence beyond India, using its travelling awards format to connect Indian cinema with international audiences. Its return to Abu Dhabi further reinforces the emirate's association with large-scale Indian entertainment events and cultural celebrations. With an extensive celebrity lineup, digital broadcasting initiatives and live performances, the January 2027 edition aims to bring together traditional Bollywood glamour and the evolving digital entertainment landscape.

IIFA 2027 Tickets and Event Dates

January 22–23, 2027

Etihad Arena, Yas Island, Abu Dhabi, UAE

As the countdown begins, IIFA 2027 promises more than a conventional awards ceremony. Its combination of cinema, music, digital entertainment and international streaming marks another chapter in the event's effort to connect Indian storytelling with audiences worldwide.











Some film events are designed to announce a movie. Others are designed to make you understand the scale of the world that movie is trying to create. The special Ramayana: Part 1 3D showcase in Mumbai belonged firmly to the second category.

Swati Bhat

Ramayana Part 1 3D Trailer Launch: Ranbir Kapoor, Sai Pallavi and MrBeast Attended the Event in Mumbai

Held on September 26 at DNEG Prime One Studios in Film City, Mumbai, the event brought together director Nitesh Tiwari, producer Namit Malhotra, Ranbir Kapoor, Sai Pallavi, Ravie Dubey and global digital creator MrBeast for a special showcase around one of the most closely watched Indian films of 2026. What made the evening particularly intriguing was the combination of two worlds that rarely share the same frame:The timeless cultural universe of the Ramayana and the contemporary global language of digital entertainment.

A Showcase Reflecting the Scale of Ramayana: Part 1

The choice of DNEG Prime One Studios was fitting. Ramayana: Part 1 is not being mounted as a conventional mythological film. The project is being built around large-scale filmmaking and visual effects, with Prime Focus Studios, DNEG and Monster Mind Creations behind the production. The official studio material describes the film as a two-part cinematic franchise directed by Nitesh Tiwari and produced by Namit Malhotra.

That context was impossible to ignore at the Mumbai showcase.

The 3D presentation shifted attention from simply asking what the actors looked like in costume to a larger question: how does one translate an epic that has lived in India's collective imagination for centuries into a contemporary cinematic experience?

That is where the event found its strongest identity.

Rather than treating spectacle as the only attraction, the presentation placed technology, scale and storytelling at the centre. The film's visual effects are being handled by DNEG, while the music combines the creative worlds of A.R. Rahman and Hans Zimmer.

Ranbir Kapoor and Sai Pallavi remain the emotional centre

At the heart of the evening were Ranbir Kapoor and Sai Pallavi, playing Rama and Sita. Ranbir Kapoor's casting as Rama has been one of the defining talking points around the film since the first look was unveiled. In the official introduction to the character, Kapoor said he did not see himself as representing Rama, but rather as trying to learn from him an approach that gives some indication of how the makers have chosen to position the character.

Sai Pallavi's Sita, meanwhile, represents the other half of the film's emotional foundation.

The recent motion poster released by the makers deliberately moved away from battle imagery and visual grandeur to present a quieter moment between Ram and Siya. That choice suggested that the film's visual ambition is not intended to replace its emotional core.

And that balance matters.

A story as familiar as the Ramayana does not need its audience to discover the plot. It needs the cinematic treatment to make the journey feel immediate again.

Ravie Dubey adds another important presence

Ravie Dubey, who plays Lakshman, was also part of the Mumbai gathering.

His presence alongside Kapoor and Pallavi completed the central familial dynamic that sits at the beginning of Ram's journey. The casting places Dubey in one of the epic's most emotionally significant relationships that of Lakshman, whose loyalty and presence remain integral to the narrative.

The larger ensemble includes Yash as Ravana and Sunny Deol as Hanuman, with other prominent actors attached to the project.

Then came MrBeast and the room changed

If the 3D showcase established the film's cinematic scale, MrBeast's appearance gave the event an entirely different dimension.

The American creator, whose real name is Jimmy Donaldson, joined Ranbir Kapoor, Sai Pallavi, Nitesh Tiwari, Namit Malhotra and Ravie Dubey at the Mumbai event.

MrBeast's participation was not merely a celebrity cameo for the cameras. His presence connected Ramayana with the world's enormous creator economy — an audience ecosystem very different from conventional film publicity.

One of the most talked-about moments from the event came when Ranbir Kapoor helped MrBeast say “Jai Shri Ram”. MrBeast also interacted with the team and spoke about the film during the showcase. There was something inherently contemporary about the moment: a story that has travelled across generations through scriptures, oral traditions, theatre, television and cinema was now meeting an audience shaped by YouTube, short-form video and global creator culture. That juxtaposition may ultimately be one of the most interesting aspects of the Ramayana campaign.

Nitesh Tiwari's challenge is not simply scale

For director Nitesh Tiwari, the biggest challenge is unlikely to be convincing audiences that Ramayana is visually large. The trailers and promotional material have already made that ambition clear.

The more difficult task is making that scale serve the story.

Tiwari has previously described his approach as being rooted in the emotional richness of the epic, saying that the story is not simply about good versus evil but about choices, consequences and the weight of doing what is right.

That distinction is important because spectacular imagery can create an impression, but it cannot carry an epic by itself. The strongest material associated with Ramayana so far has therefore been the material that places the characters inside the spectacle Ranbir's Rama, Sai Pallavi's Sita, Ravie Dubey's Lakshman and the looming presence of Yash's Ravana.

Namit Malhotra's global ambition is visible

Producer Namit Malhotra has positioned Ramayana as a project designed to travel beyond the traditional boundaries of Indian cinema. The film's production architecture itself reflects that intention. Prime Focus Studios is producing the project in association with Double NEGative aka DNEG and Monster Mind Creations, while Sony Pictures is handling international markets and Dharma Productions is distributing across North India's Hindi-speaking markets, according to Prime Focus Studios. The film's trailer was released globally in five Indian languages in July, another indication of the scale of its intended audience.

Against that backdrop, having MrBeast at a Mumbai showcase suddenly makes sense as part of a broader promotional language, one that does not stop at traditional Bollywood publicity.

The real spectacle may be the collision of old and new

And this is where the Mumbai event becomes more interesting than a standard trailer launch. Ramayana is built around one of the oldest and most enduring narratives associated with Indian culture. Yet its presentation is increasingly speaking the language of modern global entertainment, large-format filmmaking, advanced VFX, international creative talent, global distribution and creator-led promotion. The event brought all of those elements into one room.

Nitesh Tiwari represents the filmmaking vision. Namit Malhotra represents the production and technology ecosystem behind it. Ranbir Kapoor and Sai Pallavi carry the central characters. Ravie Dubey represents one of the epic's most important relationships. And MrBeast brings a digital audience that exists largely outside the conventional film publicity machinery. That combination made the event feel less like another promotional stop and more like a statement about how Indian stories can be packaged for a global cinematic and digital audience.

Whether the final film successfully balances devotion, character, spectacle and technology will ultimately be decided when audiences see the complete picture.

For now, the Mumbai 3D showcase made one thing clear: Ramayana: Part 1 is being presented not merely as another mythological film, but as a large-scale cinematic interpretation of a story that already belongs to millions of people.

The film is scheduled for worldwide theatrical release on November 6, 2026, with the second part planned for 2027. And perhaps that is the most fascinating challenge ahead not making the Ramayana feel bigger, but making something this familiar feel new without losing what made it endure in the first place.

The ambition, however, appears to extend well beyond the first chapter. According to DNEG Insider, preliminary work on Ramayana: Part 2 has already begun, indicating that the visual-effects and production machinery for the next instalment is already moving behind the scenes. While the makers have yet to publicly detail the extent of this work, the development adds another layer to a project being conceived on an unusually large scale.




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