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The Communiqué News

Mumbai: What separates a story that delivers information from one that stays with its audience? For filmmaker and creative entrepreneur Ramira Taneja, the answer begins with understanding people and accepting that storytelling cannot always be

reduced to a formula.

Swati Bhat

Ramira Taneja Challenges Storytelling Rules, Explores Emotional Intelligence in an AI-Driven Creative World

In a podcast conversation, Taneja explored creativity, human behaviour and the audience’s role in shaping a narrative’s meaning. Her observations also offered a glimpse into the ideas informing her work beyond filmmaking, including speaking and discussions around intuition and experiential wisdom.

“Making information attractive is not storytelling,” she said, drawing a distinction between presenting material effectively and creating a narrative that connects.

Ramira Taneja on Storytelling Beyond Fixed Formulas

Taneja questions the assumption that every meaningful story must follow a prescribed structure.

“There is no format or set pattern to write or tell a story. Sometimes the problem leads to impact, and sometimes an experience does. So, it is all non-linear,” she said. Her emphasis is on allowing the subject and experience to shape the narrative. Equally important, in her view, is what happens when that narrative reaches someone else. “The story is not completed by the storyteller, but by the audience.” The observation places interpretation at the centre of storytelling: a creator can construct a narrative, but audiences bring their own memories, expectations and perspectives to it. Ramira Taneja also distinguishes between a story’s existence and its emotional impact. “A story can exist without emotion, but emotion is needed for it to resonate,” she stated. Her references extend beyond cinema to Krishna, Osho and Kabir, connecting her interest in storytelling with philosophy and the communication of ideas.

Emotional Intelligence in the Age of AI

Ramira Taneja’s reflections also address the relationship between technology and human understanding. “We are heading towards an era of Emotional Intelligence (EI) while we collaborate with AI,” Ramira said. The statement reflects her belief that technological capability should be accompanied by an understanding of emotions, motivations and behaviour. Her observation that “Not everything can be judged by maths or numbers” similarly questions the limits of measurement when assessing human experience.

These themes form part of the broader platform she is developing around creativity, communication and intuitive thinking.

An Identity Beyond Filmmaking

While filmmaking remains central to her professional ambitions, Taneja is also exploring how her ideas translate into speaking and conversations beyond the screen. “I want people to know me as someone who made them think differently and someone who had the courage to reinvent. I don't like being caged in one identity or image,” Ramira said. That willingness to question a fixed identity runs through her approach to storytelling, too: leaving room for experience, interpretation and the possibility of seeing a familiar subject differently.





Vikram Malhotra-led studio builds on Daldal, Subedaar and Maa Behen as it expands across films, streaming and AI-powered entertainment

Swati Bhat

Mumbai, September 29, 2026: Abundantia Entertainment has completed 13 years in the Indian entertainment business, marking the milestone with an expanded content pipeline and a growing push into artificial intelligence through its creative division, aiON.

Founded by Vikram Malhotra in 2013, Abundantia has built its identity around creator-led storytelling across theatrical cinema and streaming. Its catalogue spans films including Baby, Airlift, Toilet: Ek Prem Katha, Ram Setu and Sukhee, alongside streaming titles such as Shakuntala Devi, Sherni, Jalsa, the Chhorii franchise and Breathe. The anniversary comes after an active 2026 for the studio, led by Daldal, Subedaar and Maa Behen. Prime Video confirms Daldal, headlined by Bhumi Pednekar, as a 2026 crime drama, while Subedaar, directed by Suresh Triveni and starring Anil Kapoor, is also part of the studio’s 2026 Prime Video slate.

Abundantia Entertainment says Daldal remained No. 1 in India on Prime Video for four consecutive weeks and entered the platform’s Top 10 across several international markets. The company has also described Subedaar as Prime Video India’s most-watched Hindi original film.

Meanwhile, Netflix’s Maa Behen, directed by Suresh Triveni and featuring Madhuri Dixit, Triptii Dimri, Dharna Durga and Ravi Kishan, extended the studio’s 2026 run. Netflix describes the film as a crime-comedy built around a dysfunctional mother and her two daughters who unexpectedly find themselves dealing with a dead body and the escalating consequences around it.

From Storytelling Studio to Technology-Enabled Entertainment Company

The more consequential part of Abundantia’s 13-year milestone may lie not in looking back at its catalogue, but in how the company intends to build its next one.

Through aiON, its dedicated AI-powered creative division, Abundantia is exploring generative AI across different stages of the entertainment value chain including audience understanding, development, production, marketing and distribution.

Its stated philosophy, “Human First, AI Empowered,” positions AI as an enabling technology for creators rather than a replacement for creative authorship. Among the projects being developed under the initiative is Chiranjeevi Hanuman: The Eternal. Abundantia has also announced plans for hybrid films and a partnership with InVideo aimed at developing AI-powered films over the next two years.

For an Indian entertainment industry increasingly negotiating the implications of generative AI, Abundantia’s approach signals an attempt to integrate the technology at a studio level rather than restrict its use to isolated production or promotional applications. At the same time, the company says it is increasing investment in consumer intelligence examining how audiences discover stories, what they choose to watch and the factors that drive engagement.

Vikram Malhotra: ‘It Feels Like We Are Only Getting Started’

Reflecting on the milestone, Abundantia Entertainment Founder and CEO Vikram Malhotra said the principles behind the company have remained consistent even as formats, platforms and audience behaviour have evolved. “Thirteen years ago, we started Abundantia with the belief that great entertainment begins with understanding the audience and then giving exceptional storytellers the freedom and resources to delight them. That belief has only become stronger with time,” Mr.Malhotra stated.

Calling 2026 a standout year for the studio, he added that Abundantia’s focus continues to centre on “disruptive stories, empowered creators, customer obsession, embracing change and an unwavering focus on creating value.”

AI, however, represents a significant new chapter. “Our approach is clear: Human First, AI Empowered. Technology should amplify human imagination, enable creators to do things that were previously impossible and help us understand and serve audiences better,” Mr.Malhotra said. “Thirteen years in, I feel we have built a solid foundation. But in many ways, it feels like we are only getting started.”

Family Business, Sundar Poonam and Angre Lead the Next Slate

Abundantia’s next phase will span theatrical films, streaming titles, series, franchises and AI-enabled projects. Among its major upcoming productions is Family Business, a multi-season Netflix drama directed by Hansal Mehta and starring Anil Kapoor and Vijay Varma. The studio is also developing Sundar Poonam for Prime Video, directed by Pulkit and starring Sanya Malhotra, while its theatrical ambitions include Angre, based on the life of Sarkhel Kanhojiraje Angre and being developed with National Award-winning filmmaker Rajesh Mapuskar.

Another project in development is Jai Santoshi Mata: Sukh Sampatti Daata. Abundantia says its wider development pipeline also involves filmmakers including Suresh Triveni, Rajesh Krishnan, Vishal Furia, Mayank Sharma, Bhav Dhulia, Palash Vaswani, Madhumita S and Anuj Dhawan.

As Abundantia enters its 14th year, its evolution reflects a wider shift underway in Indian entertainment: studios are no longer competing solely on individual films or series, but increasingly on intellectual property, creator relationships, audience intelligence, technology and the ability to build stories across platforms.

For Abundantia Entertainment, the next test will be whether its long-standing creator-first philosophy can successfully coexist with its increasingly technology-enabled approach and whether “Human First, AI Empowered” can translate from a studio philosophy into a distinctive new generation of entertainment.






Indian Railways has introduced an AI-powered Intrusion Detection System (IDS) using Distributed Acoustic System (DAS) to protect wildlife, including elephants, lions, and tigers, on railway tracks. This technology alerts loco pilots and control rooms 0.5 km in advance of animal presence, potentially saving lives.


Indian Railways Enhances AI System for Wildlife Protection on Tracks

The AI-driven system provides real-time alerts to loco pilots, station masters, and control rooms, facilitating prompt preventive measures. Initially deployed across 141 RKms on the Northeast Frontier Railway, the system has shown effective performance, leading to the awarding of further contracts for 981 RKms across Indian Railways. This will expand the total coverage to 1,122 RKms. This initiative highlights Indian Railways' dedication to wildlife protection and safe train operations. By utilizing AI and DAS, the railways are actively working to prevent animal casualties, aligning with broader conservation objectives. It also sets a new standard for balancing railway operations with wildlife conservation. With AI monitoring, elephants, lions, and tigers are provided safer passage. This follows an unfortunate incident in the Jamunamukh - Kampur section under the Lumding Division of N.F. Railway, where Train no. 20507 DN Sairang - New Delhi Rajdhani Express collided with elephants, causing the derailment of the locomotive and five train coaches. Seven elephants were reported dead, though no passengers were harmed. Following the crash, senior railway officials, including the General Manager of N.F. Railway and the Divisional Railway Manager of Lumding, along with Accident Relief trains, arrived at the scene to conduct restoration work. It was noted that the incident site is about 126 km from Guwahati and is not an official elephant corridor. The loco pilot, upon spotting the elephant herd, applied emergency brakes, but the elephants collided with the train. Meanwhile, Assam Chief Minister Himanta Biswa Sarma expressed deep sorrow and ordered an investigation into the deaths of seven elephants—three adults and four calves—in a tragic train collision.

The Chief Minister stated, "We are deeply saddened by the death of seven elephants—three adults and four calves—in a tragic train collision earlier today. I have directed the Forest Department to conduct a detailed enquiry on this deeply disturbing accident and take steps to further secure our wildlife corridors, particularly during low visibility seasons." Additionally, Rajya Sabha MP Sukhedu Sekhar Roy, in a letter to Railway Minister Ashwini Vaishnaw, highlighted the incident, noting that such occurrences continue due to trains exceeding speed limits in designated elephant corridors. He described these deaths not as accidents but as the result of human negligence, emphasizing that speeding trains pose an ongoing threat to elephants and other wildlife.




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