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Government committed to working alongside the Media and Entertainment sector to overcome the challenge of manpower and infrastructure India has the potential to become a global leader in the AVGC industry NFDC-OTT to provide a platform to young filmmakers to showcase their talent –Secretary, Union Ministry of I &B Union Information and Broadcasting Secretary, Shri Apurva Chandra, presents inaugural address at 23rd edition of FICCI FRAMES


“The government would like to be facilitators and supporters of the media and entertainment industry so that it reaches the world stage". While the Media & Entertainment industry is growing at fast pace , the sector needs to step up the game to ‘catch up with the world’. "The world is interested in Indian stories and Indian culture” said Shri Apurva Chandra, Secretary, Ministry of Information and Broadcasting, Government of India. He was speaking at the inaugural address of the 23rd edition of FICCI FRAMES here in Mumbai today. The 23rd edition of FICCI FRAMES, one of Asia’s largest and most definitive annual global convention on the business of Entertainment is being held from the 3-5th May 2023 at , Powai, Mumbai.

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Further speaking on overcoming the challenges of manpower and infrastructure that are before the industry, the Secretary said, “The Government is committed to working alongside the industry to set up more and more institutes so that more manpower comes on board in the industry.

The Secretary said, “Animation, visual effects and graphics are areas which have tremendous potential. With the establishment of the AVGC Task Force and the creation of a national policy for AVGC, India will be well on its way to becoming a global leader in the AVGC industry.” He elaborated that government is going to explore ways to introduce AVGC in school curriculum so that students are exposed to this growing and exciting sector at an early age. He also stated that the Government hopes to make a National Centre for Excellence operational in Mumbai by next year.

Speaking about the National Film Heritage Mission, the Secretary said that Government will soon launch a program under which film enthusiasts and common citizens can fund the digitization and restoration of their favourite film. He further added that, government is targeting digitization and restoration of more than five thousand feature films and short films. Out of this 1400 feature films and 1100 short films are already digitized.

Underlining the role of the National Film Development Corporation of India (NFDC), the Secretary said, “Through NFDC we need to finance projects and give support to young filmmakers who don't have access to funds otherwise. We also hope to come up with NFDC's own OTT as a platform to showcase those films that don't get space in the market so that young talent gets a chance to showcase its talent”, he said.

Expressing hope that recent policy decisions will prevent film piracy, the Secretary said, “The cabinet has recently approved the revamp of the Cinematograph Act so that strict action can be taken against piracy. The act is likely to be introduced in the Monsoon Session of Parliament. We hope to get it passed soon. This will give direct powers to the government to take action against websites showing pirated films.”

Shri Apurva Chandra, also released the FICCI- EY Media and Entertainment Report titled ‘Windows of Opportunity: India’s M & E Sector Maximizing Across Segments’, at the inaugural session of FICCI Frames. As per the Report, the media and entertainment industry has cross the two lakh crore mark. The industry has witnessed 20 percent growth in comparison to 2021.

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Also present on the occasion were Shri. Subhrakant Panda, President, FICCI & Managing Director, Indian Metals & Ferro Alloys Ltd., Ms. Jyoti Deshpande, Chair, FICCI M & E Committee and CEO, Viacom 18 Media Pvt. Ltd. & President Media & Content Business, Reliance Industries Ltd., Shri. Ayushmann Khurrana, Renowned Indian Actor, Shri. Ashish Pherwani, Partner, M&E, EY, Shri. Shailesh K Pathak, Secretary General, FICCI.

Speaking on the occasion, Mr. Ayushmann Khurrana said, “The more local we go, the more global we reach. Our film industry is at the cusp of global greatness, and I am fortunate to be living in a time where the world has become a creative melting pot of culture. India is being looked at as a creative juggernaut and our industry is being welcomed globally.”

In his welcome address, President of FICCI, Shri. Subhrakant Panda elaborated on the development story that is evolving in the Indian media and entertainment industry. “The entertainment and media industry is clearly on an upward trajectory going at a CAGR of 10.5% over the last several years. In the year 2022 -2023 it grew at an above average rate of 11.4%, which speaks volumes of the industry’s resilience and its potential to create new opportunities in a rapidly evolving landscape. As the Indian media and entertainment industry undergoes a digital revolution, this is a pivotal moment of transformation”, he said.

The three-day FICCI Frames convention will be an unparalleled platform for the exchange of ideas and knowledge between individuals, countries and conglomerates. The theme of this year’s convention is Inspire-Innovate-Immerse, celebrating the evolution of the industry and reflect on its future. The convention’s agenda includes panel discussions, conferences, exhibitions, fireside chats, masterclasses, and workshops, covering various topics such as film, television, animation, gaming, music, and digital media and other sub sectors of Media & Entertainment industry.





Anime legends Masao Maruyama and Gisabur Sugii, as well as U.S. animation producer and distributor Gkids, have collaborated to produce "Mfinda," a first Afro-anime film that will be the subject of an in-depth first look at the Annecy International Animation Film Festival in June.


Swati Bhat

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Courtesy of GKids/ N Lite


The N Lite original was made by Congolese-American artist Patience Lekien and Christiano Terry, founder-CEO of N Lite, and was chosen among the pitches this year at Annecy's MIFA market in the feature film category.

"Mfinda" depicts the journey of a 12-year-old Congolese girl to the mfinda, a primordial forest overflowing with spirits, gods, and ancestors. There, she meets another little girl from another time, and the two of them start out to discover the mystical Nkisi, receptacles that contain ancestral spirits as well as empowering ingredients or medicines, that will help her find her way home.

N Lite Japan, led by CEO-Producer Shin Koyamada and president Shigeru Igari, will lead the development and production of "Mfinda" in Tokyo alongside Maruyama and Studio M2. Maruyama has joined N Lite Japan's board of directors to help grow the company's in-house 2D hand drawn animation studio for international co-productions and feature films.

"Last year, my good friend Shigeru Igari, whom I have known for many years from Madhouse, and Shin Koyamada introduced me to 'Mfinda,' a new African anime film." Christiano's excitement for the film encouraged me to join when we met in Japan earlier this year. "I'm ready to tell a story about the positive power of spirits and community that will ring true in Japan and around the world," Maruyama said. Best known for the critically acclaimed films "Perfect Blue" and "Summer Wars," as well as the upcoming Netflix Studio M2 series "Pluto."

Maruyama is the chairman of MAPPA and the founder of Madhouse, two of Japan's finest animation studios.

"Mfinda" will have a dual Japanese and Black directing crew, with prolific filmmaker Gisabur Sugii ("Street Fighter II," "The Life of Gusuko Budori") collaborating with Black anime pioneer and first-time co-director Arthell Isom, founder of Tokyo-based D'ART Shtajio ("Star Wars Visions" Vol. 2). D'ART Shtajio is also a collaborator in the development of "Mfinda."

The screenplay is co-written by Donald H. Hewitt, who directed the English-language translation of "Spirited Away," Lekien, Terry, and Mika Abe ("Forest of Piano").

N Lite, which was founded to deliver untapped, true stories from the Black and Indigenous imagination to a global audience, has trademarked the term "afrime" to characterise the fusion of Japanese anime and storytelling from Africa and the African diaspora. It intends to create content from a diverse portfolio of franchise-driven animation and live-action IP. “We selected ‘Mfinda’ as our flagship film because it’s not often that audiences are able to experience the power of storytelling through the journey of a young Congolese girl and her community,” said Terry, adding: “Anime has a global fanbase amongst audiences of color, it’s an honor to work alongside legends of Japanese anime on this historic project.”

Gkids, based in the United States, is affiliated as a producer, with Eric Beckman, Gkids' founder and CEO, executive producing. "From the moment we saw the first early drawings and treatment, we fell in love with the project and committed to helping bring Patience's vision to life," Beckman stated. "As the Annecy audience will soon see, the world of 'Mfinda' transcends the boundaries of geography and time with a deeply resonant story full of wonder, beauty, and ancient wisdom."

"Mfinda" is Gkids' third feature as an executive producer, following the Oscar-nominated "Wolfwalkers" (2020) and "The Breadwinner" (2017).

Now in its 15th year, the company has received a total of 12 Oscar nominations for best animated feature. It also handles North American distribution for the Studio Ghibli library of films as well as the television series “Neon Genesis Evangelion.” Gkids is the founder and host of Animation Is Film, the annual LA-based film festival.




Washington [US], April 28: Popular series "The Crown's" versions of Prince William and Kate Middleton have arrived.

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Netflix revealed the first images of Ed McVey, 23, as Prince William and Meg Bellamy, 19, as Kate Middleton on Thursday.

The photographs show the two at St. Andrews throughout their academic years. They met while Middleton was studying art history there in 2001. Season 6 of Netflix's blockbuster drama "The Crown" will be the show's final season. According to the New York Post, the programme has spanned decades, dating back to Queen Elizabeth II's early days. The last season will focus on the 1990s, notably the death of Princess Diana, which has already sparked debate.

Imelda Staunton will reprise her role as Queen Elizabeth in Season 6, alongside Lesley Manville as Princess Margaret, Jonathan Pryce as Prince Philip, Dominic West as Prince Charles, Olivia Williams as Camilla Parker-Bowles, and Elizabeth Debicki as Princess Diana. The show's creator, Peter Morgan, has already stated that the show will not address Prince Harry and Meghan Markle's myriad controversies. "As The Crown enters a new decade, Prince William begins at University in St Andrew's, determined to lead as normal a life as possible while he still can," Netflix says of the photos. Kate Middleton, from Berkshire, is also starting her university career. As the two meet for the first time on campus, a new romance and a new future for the crown blossoms.

Netflix has not yet announced a premiere date for the final season.



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