top of page
The Communiqué News

21/11/2025: IFFI Premise: Filmmakers investigate how sustainability influences narratives, set designs, and creative decisions.

Pritish Bagdi

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema

The panel discussion titled “Reel Green: Sustainability and Storytelling Across Four Cinemas” at the 56th International Film Festival of India convened filmmakers and producers from India, Japan, Spain, and Australia, offering a unique convergence of global insights on sustainable cinema. Moderated by Naman Ramachandran, an esteemed journalist and film critic, the session delved into how environmental responsibility can influence both production practices and narrative content, integrating craft, culture, and conscience.

Indian Film Producer and Director Nila Madhab Panda initiated the discussion with a frank assessment of cinema’s environmental impact. He highlighted the significant carbon footprint of film production and noted that smaller films often have the flexibility to adopt greener practices. “Cinema is a mass medium. We have only one planet. Half of our energy resources are already consumed,” he stated, advocating for the industry to embrace sustainable practices wherever feasible.

Contrasting Panda’s viewpoint, Mina Moteki, a film producer from Japan, underscored the difficulties of implementing green practices in low-budget productions. She observed that while large-scale projects allow for innovation, smaller projects often face challenges with energy consumption, set management, and logistics. “We are trying to save energy wherever possible,” she remarked, noting a gradual cultural shift in Japanese filmmaking.

Spanish Film Producer Anna Saura echoed these concerns, emphasizing that sustainability is a creative responsibility. She highlighted that conscious decisions, from distribution to on-set management, can mitigate environmental impact without compromising the quality of storytelling. “Every step we take matters,” she asserted, “and even small, thoughtful actions contribute to a greener future.”

Australian filmmaker Garth Davis added a narrative perspective, reflecting on how stories can enhance environmental awareness. “Films connect people back to nature,” he commented. “The younger generation desires change, and storytelling has the power to shape behavior and values.”

The discussion examined global practices and their potential adaptation in local contexts. Davis described how Australian productions focus on respecting people, culture, and the environment, ensuring filming locations are left as they were or improved. Moteki discussed Japan’s blend of traditional and modern practices, including public transport, local hiring, and resource management. Saura highlighted Spain’s Green Film Certification system, which assesses and certifies the sustainability of film productions, guiding teams in adopting eco-friendly practices in catering, equipment, and logistics.

Throughout the session, the panelists emphasized the pivotal role of the younger generation. From creating eco-conscious sets to advocating for sustainability in narratives, youth were recognized as key agents of change. The panelists underscored the importance of mentorship, education, and habitual practices on set to foster a culture of sustainability that transcends borders and generations.

Practical strategies were discussed, including minimizing waste, reusing costumes, and opting for real locations over constructed sets. The panelists also highlighted the necessity for governmental and institutional support. Panda suggested certification systems to recognize sustainable efforts, while Davis proposed policies linking production incentives to environmental accountability.

In a positive note for the global community, the panelists advocated for increased collaborative sessions with other countries, sharing best practices, and adopting effective strategies to lessen environmental impact. They expressed that international dialogues and knowledge exchange would assist filmmakers worldwide in embracing sustainability without sacrificing creativity or storytelling.

By the conclusion of the panel discussion, it was evident that sustainability transcends being merely a technical guideline; it is a mindset. Across India, Japan, Spain, and Australia, the conversation reinforced that environmental consciousness intersects with storytelling, craft, and cultural responsibility. The panel affirmed that cinema can be both impactful and responsible, inspiring audiences and creators alike, and encouraging the next generation of filmmakers to envision a greener, more conscientious world.

IFFI 2025: Exploring Sustainable Storytelling in Global Cinema




The 56th International Film Festival of India in Goa is not just a celebration of world cinema — it’s a clear signal of the government’s serious backing for creative talent. At the heart of this edition are major figures from the Ministry of Information & Broadcasting: Union I&B Minister Ashwini Vaishnaw, who chairs the IFFI steering committee, and I&B Secretary Sanjay Jaju, both of whom have emphasized a “Convergence of Creativity & Technology” as this year’s guiding theme.

The International Film Festival of India 2025 is being organized by the National Film Development Corporation (NFDC), now more directly responsible for the festival after absorbing several film units. At the July 2025 steering committee meeting, Prakash Magdum, the Managing Director of NFDC, joined hands with Mr. Vaishnaw and Mr. Jaju to plan an expansive line-up, new outreach initiatives, and an inclusive vision for young creators.

In a striking move, IFFI has introduced India’s first AI Film Festival & Hackathon, under the aegis of NFDC and supported by the Ministry. This gives filmmakers and technologists a unique platform to explore AI-driven storytelling, with veteran festival director Shekhar Kapur himself heading the jury.

FTII (Film & Television Institute of India)  another institution under the I&B Ministry is also contributing to IFFI 2025’s spirit of learning. According to recent reports, FTII faculty will lead a Film Appreciation course in Goa during the festival, helping journalists and delegates deepen their understanding of cinema. The involvement of FTII underscores how education and policy are converging within the Ministry’s broader push for creative excellence.

Moreover, Press Information Bureau (PIB) leadership is closely connected: the media accreditation office has highlighted the role of PIB in facilitating IFFI’s press coverage, underlining the institutional seriousness behind the glitz.

All in all, IFFI 2025 feels like much more than just a film festival it’s a strategic, state-supported effort to bridge cinema, technology, and talent.

Washington [US], July 6: American actor and model Carmen Electra, who made a name for herself in the '90s as lifeguard Lani McKenzie in the 'Baywatch' series, has spoken about how joining OnlyFans is "empowering" for her.


Swati Bhat

ree

While speaking to Fox News, Electra delved into what she calls some of her most exciting work to date with OnlyFans, the subscription-based online platform where users can pay for or sell original content without going through a slew of liaisons.

She signed up with the social media site last month and has since been in the process of reclaiming her image - one snap at a time.

After investigating more into the platform and what it offers not only users but also content creators, Electra took the leap and created her own page full of lingerie shots and bikini pictures. She hasn't looked back since. "What I realized is that OnlyFans is a safe place where you can be your own creator. I have become my own creative director, my own stylist, my own visionary. You're one-on-one with the fans, so they can do requests, and I love it. It can be really, really fun. And I've had a blast creating photos, getting videos, and just allowing my fans to follow me wherever I go on these journeys in my life. That's exactly what I wanted to do," she said. One thing Electra loves about the site is that she has complete control over what she decides to release as "there's no one telling you what to do; I'm my own boss." She added: "It's intense and very empowering. It's so self-empowering. And creatively, I've always had so many fun and creative ideas, and there have been times when I've been able to follow through with those with different projects I'm working on.

Electra had a few words of wisdom to offer up to former Real Housewives of Beverly Hills star Denise Richards and her daughter, Sami Sheen, 18, who recently embarked on their own journeys with the platform.

As per Fox News, she advised, "Be honest about where you are and what your platform is and what your fans will see within your photos and your videos. Be very honest, and be true to who you are. Stay true to your fans and the people that are supporting you, and have fun with it. That's the message I've always had, and I always thought, if you're not having fun, why do it?"


bottom of page