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The Communiqué News

Full Credits, Lyrics Excerpt & Behind-the-Song Research of the title track of "Dhurandhar"

Swati Bhat

"Dhurandhar" Craze Echoes Through Swiss Alps with DJ's Title Track Performance

The viral video of a DJ playing the Dhurandhar title track across a snowy field in the Swiss Alps did more than spark a dance trend; it propelled a meticulously crafted cross-genre anthem onto the global scene. What seems like a single energetic Bollywood hit is actually the outcome of layered production decisions: a reimagined Punjabi classic, contemporary rap segments, various vocalists, and detailed rights management. Below, we identify the contributors to the music, provide a brief verified lyric excerpt, and highlight the research that explains how the title song was created.

Who is the singer and songwriter of Dhurandhar title track?

Lead / featured vocalists: Hanumankind (rap/voice), Jasmine Sandlas (hook/lead), Sudhir Yaduvanshi, Shashwat Sachdev (who also sings), with sampled vocals from Muhammad Sadiq and Ranjit Kaur on the recreated Punjabi lines.

Composers / music directors: Shashwat Sachdev and Charanjit Ahuja (the title track combines Sachdev’s modern production with Ahuja’s original Punjabi composition).

Lyricists: New rap and English verses are attributed to Hanumankind (and collaborators), while the Punjabi lines are credited to original lyricist Babu Singh Maan, as the track reimagines the 1995 Punjabi song “Na Dil De Pardesi Nu.”

Label / music rights: Saregama owns the music rights for the film’s soundtrack.

Behind the Scenes: Crafting the Title Song of Dhurandhar

Recreation + respect for the original: Producers intentionally incorporated the 1995 Punjabi classic “Na Dil De Pardesi Nu” as the melodic foundation. Rather than a mere sample-drop, the production credits reflect a collaborative recreation: Charanjit Ahuja’s original composition is interwoven with Shashwat Sachdev’s modern arrangements, creating a piece that serves as both a tribute and a contemporary anthem. This process involved licensing and crediting the original writers and performers.

Cross-genre layering: The team combined Punjabi folk vocals and refrains with English/Hinglish rap verses by Hanumankind, alongside complementary vocal textures from Jasmine Sandlas and others. The outcome is an anthemic, high-energy track crafted to resonate in stadiums, clubs, and even alpine DJ sets. Rolling Stone India and other profiles highlight this intentional “folk + rap + electronic” structure.

Production & mixing choices: Interviews and credits reveal that Shashwat Sachdev led the production and co-composed, while the film’s sound team re-recorded elements (including new vocal takes and integrated archival lines) and utilized contemporary beat programming to elevate the song from a regional hit to a pan-India/global pop phenomenon. Re-recording mixers and producers received credit in the soundtrack listings.

Rights, credits, and cultural sensitivity: Since the title track repurposes an earlier Punjabi song, the creative team formally credited and compensated the original creators (composer Charanjit Ahuja; lyricist Babu Singh Maan; singers Muhammad Sadiq & Ranjit Kaur) and included them in the official soundtrack credits, a crucial step in avoiding disputes and ensuring authenticity.

Strategic release & virality: The soundtrack rollout, with singles released ahead of the full album and tie-ins with social media trends, was designed to generate viral moments such as the Swiss Alps DJ clip, which organically resonated with the campaign. Music outlets report the album’s swift rise on streaming platforms, indicating the strategy’s success.

The scene set in the Alps exemplifies cultural cross-pollination: a modified Punjabi refrain, a part of regional heritage, is presented with modern production, allowing it to transcend language and geography. DJs and influencers serve as catalysts; a party at a Ski Resort, Switzerland transforms into a global clip, drawing more attention to the film's soundtrack and its credited artists.

Aditya Dhar’s blockbuster "Dhurandhar" has now crossed the ₹1,000 crore global box office mark, with a net domestic haul of around ₹669 crore, making it one of the highest-grossing Hindi films of the year.








Washington [US], June 27: Paramount/ Skydance's 'Top Gun: Maverick' has surpassed USD 1 billion worldwide, becoming only the second pandemic-era film to achieve this landmark feat.


Swati Bhat

It took just 31 days for the aviators to get to USD 1B with the total through Sunday at an estimated USD 1.006 billion worldwide, including domestic's estimated USD 521.7 million and USD 484.7 million from the international box office, as per Deadline.

This is also the first time Tom Cruise has hit that milestone in his 40-year-long career. The overseas holds on this 36-years-later sequel directed by Joseph Kosinski have been nothing short of stellar, with the last weekend collection off by just 21 per cent, and the current frame at USD 44.5M in 65 markets, down by only 26 per cent, which is remarkable.

According to Deadline, Top Gun: Maverick's performance is a testament to the work that Paramount's distribution and marketing teams put behind it, while Cruise himself deserves massive credit. The indefatigable star travelled to San Diego, Mexico City, Japan, Cannes, London and Seoul to promote the movie.

After his Korea trip, he even made a pit stop at the CineEurope convention in Barcelona this past Wednesday (en route from Seoul to the set of the next Mission: Impossible), thanking the exhibition personally for its efforts. To recap its journey, upon release in late May, 'Top Gun: Maverick' lit the fire with Cruise's biggest domestic and international debuts; and the following weekend wasn't swallowed up by the launch of Jurassic World Dominion, proving there's room for more than one mega-movie in the market, which comes as a piece of good news for everyone after the last two years of uncertainty

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