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The Communiqué News

Jonathan Anderson, Miuccia Prada, Bianca Saunders and Wales Bonner are among the nominees for The Fashion Awards 2022, which will be presented by the British Fashion Council on December 5 at The Royal Albert Hall in London.


Swati Bhat

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JW Anderson


Jonathan Anderson, Miuccia Prada, Bianca Saunders and Wales Bonner are among the nominees for The Fashion Awards 2022, which will be presented by the British Fashion Council on December 5 at The Royal Albert Hall in London.

The annual event, which celebrates positive change within the fashion industry and those leading it, will present awards including Designer of the Year, Model of the Year, Independent British Brand and the BFC Foundation Award.

The Designer of the Year accolade, recognising a British or international designer whose innovative collections have made "a notable impact on the industry," includes Jonathan Anderson for his namesake label and Loewe, up against Demna for Balenciaga, Matthieu Blazy for Bottega Veneta, Miuccia Prada and Pierpaolo Piccioli for Valentino.

For Independent British Brand, Anderson once again gets the nod for his JW Anderson label, alongside Bianca Saunders, Erdem, Molly Goddard and Wales Bonner. While for Model of the Year, Bella Hadid who was at the centre of several viral moments this catwalk season will be up against Adut Akech, Lila Moss, Paloma Elsesser and Quannah Chasinghorse.

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The Fashion Awards announces nominations for 2022

The nominees for the BFC Foundation Award, which recognises an emerging designer, from those receiving support from the BFC Foundation, includes the second nomination for Wales Bonner alongside Ahluwalia, Chopova Lowena, Nensi Dojaka, and S.S. Daley.

Caroline Rush, chief executive of the BFC, said in a statement: “I would like to congratulate all the nominees of The Fashion Awards 2022. Each one of them contributes a remarkable amount towards creating an industry that promotes self-expression and individuality, perpetuates joy and optimism and pioneers in innovation and positive change. I look forward to celebrating the incredible work of our nominees, Leaders of Change, Award winners and the wider industry on December 5.”

The 2022 accolades also include fifteen Leaders of Change; the designers, brands, creatives, and individuals who created positive change within the fashion industry this past year under three categories: Environment, People and Creativity. These will be revealed live during the show.

Other awards include the Isabella Blow Award for Fashion Creator, the Outstanding Achievement Award, and Jefferson Hack receiving the Special Recognition Award for Cultural Curation for empowering youth through creativity and for creating countless opportunities for next-generation creatives.


The Yves Saint Laurent Museum in Paris is celebrating the 60th anniversary of the couturier’s first collection with an exhibition highlighting his love affair with glitz and gold.


Swati Bhat

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Yves Saint Laurent; David Bailey, Vogue Paris


The ‘Gold by Yves Saint Laurent' exhibition is open until May 14, 2022, and examines the role gold has played in the couturier’s work. It features more than forty haute couture and ready-to-wear dresses, accessories and jewellery and highlights how the colour gold has become essential to the Yves Saint Laurent silhouette.

From the very first buttons adorning his pea coats to dresses that appear entirely fashioned from gold, no collection has escaped the couturier’s “golden” touch. Saint Laurent's mastery of gold is seen throughout his use of brocade, lace, sequins, leather, and embroidery, whether through fabric, jewellery, perfume, or gold sparkles.

Saint Laurent's communiqué, “I love gold, it is a magical colour; when reflecting a woman, it’s the colour of the sun,”

The exhibition is curated by Elsa Janssen, director of the museum since March 2022, in association with the museum’s curatorial team and with the artistic collaboration of Anna Klossowski (daughter of Loulou de La Falaise and goddaughter of Yves Saint Laurent). It highlights Saint Laurent’s use of gold in a chrono-thematic journey through ornaments, fabrics and exquisite materials while celebrating how the hue has empowered women and how Saint Laurent popularised gold for women.

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Yves Saint Laurent; Nicolas Mathéus


The colour gold is perceived as a sign of wealth, power, and prestige, and Saint Laurent used that symbolism to create pieces for a modern woman. The courtier showed that gold was more than about providing an aesthetic effect, he turned gold into a manifesto of feminine power. He used gold as a simple detail in a total look, such as in gold buttons, or through a play of material such as lamé, leather and brocade, or by the technique involved from braided fabrics to embroidery or quilting.

Standout looks include the jewelled dress designed from his autumn-winter 1966 collection and photographed by David Bailey, sequined dresses worn by Zizi Jeanmaire and Catherine Deneuve and a molten metal effect evening dress worn by Violeta Sanchez in the spring/summer 1981 haute couture collection. The exhibition also displays the Gypsy dress from the spring-summer 2000 haute couture collection featuring transparent fabric sprinkled with golden sparkles.

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Yves Saint Laurent; Guy Marineau


There is also a section dedicated to the couturier's use of gold buttons as jewels. From the wool pea coat inspired by a sailor’s wardrobe from his spring/summer 1962 haute couture collection complete with gilded buttons that evoked the braided rope used on board ship to the autumn/winter 1966 haute couture collection where buttons were used across cocktail and evening ensembles.

Alongside Saint Laurent’s creations, the museum invited the Belgian sculptor Johan Creten to exhibit five works to showcase how gold has always inspired artists.



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