top of page
The Communiqué News

Versus Entertainment has brought on board Decentraland and Lumiere to develop metaverse and NFT angles for its ongoing film project “The Infinite Machine.”


Pritish Bagdi

Pic Courtesy: Lumiere


“The Infinite Machine” is a film adapted from Camilla Russo’s book of the same title which is now being produced by Versus with Ridley Scott’s production company Scott Free. It tells the story Vitalik Buterin, the controversial co-founder of Ethereum, the world’s second largest digital asset. Decentraland operates a virtual world that uses open-source technology, allowing it to be expanded by member users. The platform is also owned and operated by the same users, using blockchain, rather than by a parent company.

The agreement between Versus and Decentraland will see the film and its NFT collection developed and integrated into the Decentraland metaverse. Lumiere, a Hong Kong- and Singapore-based entertainment specialist, is supporting the project by developing and integrating the experience of the film and engaging its audiences into the Decentraland metaverse.

“The Infinite Machine” is expected to conduct its third round of NFT issues in the following months, allowing it to become the first ever NFT-financed film. The film will be written for the screen and directed by Shyam Madiraju, with Scott, Tom Moran and Vera Meyer of Scott Free producing, alongside Alejandro Miranda of Versus Entertainment.

“We are really proud that a company such as Lumiere and as important a film as ‘The Infinite Machine’ have chosen Decentraland to build their experience in order to interact with its community fan base. The link between movies, their communities and the Metaverse is already happening,” said Alejandro De Grazia, head of film and entertainment at Decentraland Foundation.

“This is a case that can transform how the entire industry develops and promotes its content to its fans and audiences,” said Patrice Poujol, CEO of Lumiere. Miranda and Francisco Gordillo, executive producer of “The Infinite Machine” and responsible for its NFT collection, describe the film and its outreach into the metaverse as “an amazing project that will broadcast the Ethereum´s ecosystem potential to mainstream audiences.”


MIFF Campus: Stalwarts like Resul Pookutty, Prasoon Joshi, Subbiah Nalla Muthu and Carter Pilcher to interact with delegates

Pritish Bagdi

From the master of sound, Resul Pookutty to the weaver of words, Prasoon Joshi, from the famed wildlife filmmaker Subbiah Nalla Muthu to the internationally acclaimed short film maker Carter Pilcher, the Mumbai International Film Festival (MIFF) is back with an array of exciting and enlightening sessions with the master of crafts.

The Master classes by the stalwarts being an exclusive part of the film festival will be a major attraction this year. Master classes, immaculately curated by the festival organizers would help delegates to hone their understanding of the art and craft of cinema.

Master class on topics like the involvement of art and ethics to restore a film, the art of storytelling, aesthetics of sound in cinema and animating in India for the world will be a learning experience for budding film makers and cinephiles. Other aspects of film-making such as the Cinema in Post covid era, how OTT platforms are creating huge difference in the making and breaking of the film world and wildlife filmmaking will also be discussed.

The 17th edition of MIFF is all set to welcome aspiring filmmakers, viewers, believers, and thinkers of cinema to become part of these seven extravagant festival days i.e. from 29th May to 04th June, 2022, filled with eagerly awaited events that will hook you up as it proceeds.


List of master-classes to be presented this year at MIFF:

  1. ‘The Art and Ethics of Film Restoration.’ By Shivendra Singh Dungarpur 30 MAY 2022 | 11.30 AM – 1 PM

  2. ‘What Does it take to Qualify your film for the Oscars?’ By Carter Pilcher 30 MAY 2022 | 2 PM – 3.30 PM

  3. ‘Animating in India for the World.’ ( Animation ) by Krishna Mohan Chintapatta & Tirthadip Ghosh 30 MAY 2022 | 3.45 PM – 5.45 PM

  4. Subject: ‘My Creative Process.’ ( Animation ) by Regina Pessoa 31 MAY 2022 | 2 PM – 3.30 PM

  5. Subject: ‘Expanded Cinema from Screens to OTT Platforms – Cinema in Post COVID era.’ By Rizwan Ahamd 1 JUNE 2022 | 11.30 AM – 1 PM

  6. ‘Wildlife Filmmaking As a Career: Wildlife Filmmaking is not a career, It’s a commitment.’ By Subbiah Nalla Muthu 2 JUNE 2022 | 3.45 PM – 5.45 PM

  7. ‘Aesthetics of Sound in Cinema.’ By Resul Pookutty 3 JUNE 2022 | 3.45 PM – 5.45 PM

  8. ‘The Art of Storytelling.’ by Prasoon Joshi ( Date and timing to be finalized)

Festival de Cannes


Swati Bhat

Jury and Prizes winners of the selection Un Certain Regard 2022 © FDC


Focused on arthouse, artistically daring films, the 2022 Un Certain Regard Competition has included 20 feature films – seven of which are first features also competing for the Caméra d’or. The opening film was Mathieu Vadepied’s Father and Soldier. Chaired by actress-director-producer Valeria Golino, the Jury included director Debra Granik, actress Joanna Kulig, actor-singer Benjamin Biolay and actor-producer Edgar Ramírez.



Un Certain Regard Prize


LES PIRES (The Worst Ones)

by Lise AKOKA & Romane GUERET

THE WORST ONES © Eric Dumont / Les films VELVET


Jury Prize


JOYLAND by Saim SADIQ


Best Director Prize


Alexandru BELC for METRONOM


Best Performance Prize (jointly awarded)



Best Screenplay Prize



« Coup de cœur » Prize

RODEO by Lola QUIVORON












bottom of page