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The Communiqué News

WAVES Bazaar serves as a specialized platform for businesses to present their products and services, seek collaborative opportunities, and form new partnerships.

Swati Bhat

WAVES Bazaar Elevates Indian Women Filmmakers at TIFF

Under the Ministry of Information and Broadcasting's flagship international markets platform, WAVES Bazaar, six Indian filmmakers leading women-centric projects represented the country at the Toronto International Film Festival (TIFF) 2025, held last month. This initiative, led by Women in Film (WIF) India and supported by the National Film Development Corporation (NFDC), marked a significant milestone in showcasing the creativity and vision of Indian women filmmakers on a global stage. The filmmakers—Arshaly Jose, Deepa Bhatia, Katyayani Kumar, Madhumita Sundararaman, Paromita Dhar, and Pramati Anand—were selected from over 200 entries following a week-long nationwide call.

Ministry officials described this development as a defining moment for India’s film industry and creative community. "For the first time, six Indian filmmakers leading women-centric projects represented the country at one of the world’s most influential film forums. The delegation highlighted regional, rooted, and real stories from Kerala and Manipur to Maharashtra and Delhi, demonstrating that India’s creative diversity knows no boundaries," stated ministry officials. The World Audio Visual & Entertainment Summit (WAVES) is an event focused on establishing India as a key hub for the media and entertainment industry. The inaugural event took place in Mumbai in May. WAVES Bazaar is a dedicated platform for companies to showcase their products and services, explore collaborations, and establish new partnerships.

Supported by WAVES Bazaar’s expansive ecosystem, these filmmakers gained access to mentorship, international markets, and industry exposure once reserved for seasoned global creators. Over the past year, WAVES Bazaar has evolved into a crucial bridge between Indian content creators and international studios, facilitating co-productions, global distribution deals, and strategic collaborations across continents, officials noted. WIF India Founder and Academy Award-winning producer Guneet Monga Kapoor described the collaboration as "a dream realized." "Exposure is at the heart of all growth. Through WIF India and WAVES Bazaar, we are building pathways for women to take their stories to the world," she stated. "We are taking our initial steps, building this institution piece by piece, and now moving it forward." For the participants, the TIFF experience was transformative.

Kerala-based filmmaker Arshaly Jose shared, "Pitching to international producers and distributors showed me that my stories could transcend borders. For the first time, I felt I truly belonged." Similarly, Deepa Bhatia reflected, "It was the thoughtful details from mentorship to wellbeing that made this experience special. WIF and WAVES are clearly shaking up the industry." With cumulative deals exceeding Rs 800 crores across film, animation, and music, and structured programs like Co-Production Labs and Screenwriters’ Forums, WAVES Bazaar is redefining how India engages with the world creatively.




Swati Bhat

Busan, South Korea –September 20,2025

India Showcases Global Ambition with WAVES Bazaar Pavilion at Busan Film Festival 2025

India strengthened its global creative footprint at the Busan Film Festival 2025 with the inauguration of the WAVES Bazaar Pavilion, a dedicated space designed to connect Indian creators with international markets. Dignitaries at the event emphasized India’s growing influence in the global content economy and the pavilion’s role as a bridge between Indian storytelling and global audiences.

The WAVES Bazaar Pavilion serves as a dynamic platform for showcasing Indian films, digital content, and original stories to international buyers and distributors. It will also host B2B meetings between Indian and foreign producers, distributors, and content platforms, fostering new collaborations in global entertainment.

A major highlight of the pavilion is its focus on emerging creative industries such as animation, VFX, gaming, and immersive storytelling, aligning with India’s ambition to lead in new-age media innovation.

“WAVES Bazaar embodies India’s creative vision and its commitment to global collaboration,” noted one of the dignitaries at the Busan Film Festival.

The launch marks a significant milestone in India’s active participation in international film markets, further strengthening its position as a global hub for creativity, innovation, and cultural exchange.





27 August 2025: (Mumbai, Maharashtra) - Gujarati cinema is really pushing boundaries with the film Vash Level 2.


Swati Bhat

Vash Level 2: Krishnadev Yagnik Revolutionizing Gujarati Cinema

Directed by Krishnadev Yagnik and brought to you by Panorama Studios, this sequel goes beyond the usual horror flick. It's a thrilling ride that cleverly mixes supernatural stuff with deep human feelings.

The movie continues from the eerie world of Vash, elevating it to a darker, more intelligent, and complex level. Rather than relying on jump scares, it immerses you in an atmosphere where every scream is impactful and every silence is menacing.

The performances constitute the essence of the narrative. Hitu Kanodia delivers one of his most believable roles lately, playing a father caught between worry and valour. National Award-winning actress for Vash Janki Bodiwala, with her captivating presence, shows once again why she’s leading the new Gujarati wave. One of the biggest highlights of Vash Level 2 is Hiten Kumar’s performance in a challenging double role. The sharp differences in body language, voice modulation, and screen presence make it clear when he switches between the two roles yet, he never lets it feel theatrical or forced. Monal Gajjar's character requires a blend of vulnerability and quiet strength, which she delivers with natural ease. Chetan Daiya impresses with his controlled and powerful performance as a real cop. Renowned for his commanding screen presence, Chetan once again demonstrates why he is a reliable actor.

The technical aspects of the film are commendable. Haresh Bhanushali and Prashant Gohel's cinematography captures Gujarat's haunting beauty with precision, expertly balancing realism and a sense of dread. The framing and lighting intensify the tension seamlessly. Shivam Bhatt’s editing is precise, maintaining an unwavering thrill.

The sound design is equally powerful, showcasing that Gujarati films now excel in technical skills.

Even though every movie has its quirks and some scenes might drag a bit, with horror buffs guessing a few scares, the characters' emotional depth and the thrilling climax really make up for it, offering a satisfying movie experience.

Backed by the vigorous support of Panorama Studios, Vash Level 2 boasts a polish and scale that sets new standards for Gujarati thrillers. It's vivid, innovative, and a proud milestone for Indian regional cinema as it competes on an international level.

In essence, Vash Level 2 is more than a sequel; it's a declaration. A declaration that Gujarati cinema is prepared to embrace contemporary genres, offer quality storytelling, and reach broader audiences while staying true to its cultural roots.





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